To celebrate LGBT History Month here at Sutton House, we have decided to remove four of the sonnets from their context and present them throughout four of the Tudor rooms by the disembodied voices of people who identify as lesbian, gay, bisexual, trans or queer, alongside artworks by Judith Brocklehurst. By doing so, we hope to raise questions about desire, gender and sexuality. Rather than questioning whether or not Shakespeare would be considered part of the LGBT community in contemporary terms, we instead address the universality of desire and the ambiguities of gender and identities.
Exhibition curated by Sean Curran
Artworks by Judith Brocklehurst
Voices: Eleanor Margolis, Louise Chambers, Surat-Shaan Knan, Zia X
You can view a video of the exhibition here:
Challenging histories: what place do lesbian, gay, bisexual, trans and queer identities have in museums and historic houses?
13 February 2014 - 6:30pm - 8:00pm
|image courtesy of Judith Brocklehurst|
To accompany Sutton House's first LGBT History Month exhibition 'Master-Mistress: passion, desire and ambiguities in Shakespeare’s sonnets' we held a panel event, and an opportunity to see the exhibition for free.
The discussion was about including lesbian, gay, bisexual, trans and queer narratives in heritage spaces, it was chaired by exhibition curator and National Trust volunteer Sean Curran and featured four experts from the heritage world.
The panelists were:
Oliver Winchester - Curator of the Permanent Collection at the Design Museum
Jan Pimblett - Principle Development Officer at London Metropolitan Archives and founder of the annual LGBTQ History and Archives Conference
Claire Hayward - PhD student at Kingston University, looking at representations of same-sex sexualities in public history
Naomi Campbell - National Trust
The event can be listened to here: